If this recording has made it to CD, I can't find it. I find a lot of LP, like the one I have, of the reissue on Finnadar Records (SR9018) of the original 1950 record, with the added 1954 Interpolations for Désert, but I have not located a CD.
The pieces are available, but this recording under the supervision of Varèse has unique historical value, since the 1950 record was for long the only recorded music of this composer available.
The Interpolations for Désert were substantially revised in 1961, but these versions from 1954 are what Hermann Scherchen premiered in Paris on December 2nd of that year. What a night that must have been!
The music is wonderful, and the record itself contains "a reminiscence and appreciation" of Varèse by Frank Zappa, entitled: Edgard Varèse: Idol of my youth. Links to the photos of the cover are included, in case you wish to read it.
Flac 96Khz : https://www.mediafire.com/?zay5965jibk4n5a
The original 24 bit .wav files had a bit rate of 4608 kbps, but the Flac files, converted in Audacity, have a bit rate of 1085 kbps. It will have to do until I can figure out what is going on. It may well be I'm simply clueless, but I'll try to find out. It may well be that I simply do not understand the mechanics of lossless compression. Well, I mean I don't. Meanwhile, these flac files sound pretty good to me.
The CD set of Schneider Quartet recordings of the Haydn String Quartets has been issued by Music and Arts and is now available for purchase through Music and Arts itself, or through Amazon. I was made aware of this by Jonathan Angel, who I heartily thank for his email informing me of it. His review of the set on Amazon.com just about says it all.
Although my restorations of the files were not used at the end of the day, I take some satisfaction in the fact that the project was started when the late Fred Maroth contacted me after seeing the postings of them on Vinyl Fatigue, and asked me to take on the project. I was in over my head, but I'm very happy the the project was brought to completion by others.The digital restorations by Lani Spahr published in the CD set are an improvement over what I was able to do, and I would urge anyone who loves these recordings to get the CD's. The original recordings were not state of the art for their time, nor were the recorded results consistent across the series. Those limitations are carried into the present, of course, but the performances themselves shine through any sonic limitations, and Lani Spahr has done a good job with what was available to work with. A job well done, and some of the most important and wonderful recordings ever made once again seeing the light of day.
Those of us who love these performances love them without reservation. This is Haydn the way I want to hear it, with all the humor, tenderness, aristocratic refinement and country bawdiness the music contains. There are slow movements here played with a the delicacy and awareness of suffering that can make you weep. And Haydn is one of the few composers who moves me to delighted laughter.
I grew up listening to records -- shellac and vinyl -- and the sound of a needle tracking the grooves of an old LP is still deeply comforting to me -- a sound from childhood, like the fan of the hot air furnace coming on. However turntables are now relatively scarce, and we are becoming less tolerant of noise from the medium the music is stored on, so putting up renovated files of what I consider choice, but neglected performances, seemed a good way to spend some time. There are several thousand LPs in the house, a lot of them not re-issued on CD, some of them performances of real importance. If you like something, post a comment. I'd love to hear from you.
Everything posted here is in my personal collection on LPs or 78rpm records, and any restoration to the file is done by me. I do not post anything from CDs.